Copyright Fred Kissinger, 2013 |
Town, Train, and Tracks
By Stephen Rowe
Fred Kissinger’s Town, Train, and Tracks is a streamlined yet evocative composition.
Fundamentally there are but three elements:
·
The town,
represented by the boy and the civic water tower
·
The awesome,
coal-burning steam locomotive
·
And the tracks
But this simplicity is deceptive; as we
shall see, the composition is dynamic and rich in complexity and nuance.
First, note the graphic above the iconic
water tower’s truncated lettering GARRE[TT].
Garrett, Indiana is an historic, proud railroad town, and the graphic is a
steam engine in silhouette, mirroring the real locomotive which enthralls the
boy. While some towns’ high school athletic teams sport fanciful names like Auburn Red Devils, Fremont Eagles, and Angola
Hornets, Garrett boys and girls are Garrett
Railroaders. Hard working, blue collar, and proud of it.
So the boy knows even now that he will
be a Garrett Railroader upon entering
high school. And beyond …? Is he wondering this very moment “Will I, can I be a
railroader, like my uncle, or cousin, or neighbor, or brother, or like the
strange men who gather in the town’s restaurants and taverns at all hours, day
and night?” Are these aspirations? Or is he yearning this very moment, looking
above and beyond the train, to do something
else someday?
Or perhaps he is simply thinking “I
wonder if this is the train my Dad is on?” Or “Where is this one going … to
Chicago? Or just coming back from Toledo?”
But we suspect his wonder is less
specific and more mysterious: “Where do these tracks go? What
is out there, beyond here, far beyond here?” These speculations are
colored by the purple night sky, suggesting a mysterious unknown; by the enveloping
train steam which clouds the boy’s straight ahead view, channeling his upward
gaze; and by the train’s beaming headlamp, so obviously powerful but no match
for the great beyond, illuminating but a narrow straightaway, soon to be
swallowed by the vast night which shrouds a vast land.
So the composition‘s fundamental
elements dynamically interact with each other. The train, its awesome economic
and physical power almost unfathomable, inextricably interlace with the town,
its character, its people, old and young. So too the tracks, which bind together
train and town, while simultaneously conjuring powerful, mysterious, cross currents
of wonder about the mysteries lying beyond … far beyond, as the tracks span a
thousand horizons straight ahead, and thousands more, left and right, all along
the way.
For
more information about the work and the artist, contact:
Stephen
Rowe (GHS ’70)
(watch
for the period between Rowe and OriGraphics)
630.251.6931
Living
outside Fremont
Phone
is a cell # left over from Chicago area days
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